audiomastering fading leveling sounddesign dynamics ambience premaster
analog mastering Mytek / RME
EQ`s > Lipinski Sound, RND 551, TK-Lizer 2 (Stereo- & MS-Mastering)
Dynamics > Wes_Audio Stereo Buss Compressor, Manley Elop + (Optical-Tube/Dual/Stereo)
Saturation > Tubes & Transformers / THD (Med 1% / High 4%) / RND 542 (Tape)
digital mastering state of the art plugins von Flux::, FabFilter, UAD
Brainworx, Waves Abbey Road, iZotope Ozone, ...
DAW
Cubase Pro 13 - 44,1 - 96 KHz, 24 Bit, 32 Bit
Converters / Audio Interfaces
Mytek ADC & DAC / 120 dB dynamic range
RME Fireface 802 FS / 118 dB dynamic range
Control Room / Monitoring
Focal Twin 6 BE > SPL Volume2 #1 (120 dB) - Nearfield / Midfield
Neumann KH 80 > SPL Volume2 #2 (120 dB) - Nearfield
Headphones > Beyerdynamic DT 1990 Pro / Beyerdynamic DT 880 Pro
Focal Twin 6 BE
- Compressors
- Equalizers
- Preamps
- Plugins
audio (mastering sessions)
1 - The Innervault 2014 (Pop)
2 - Between Blue Band (Rock) **
3 - El Briño - David Riaño-Molina 2012 (Jazz)*
4 - Hope - Bolzmusic 2023 (Lounge/Chillout)
team
Julian Külpmann [drums, programming - mastering - recording - producing]
Horst Külpmann [g, b, voc - recording - mixing – mastering - producing]
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* mixed by Kurt Rosenwinkel
** drumrecording & mastering