audiomastering fading leveling sounddesign dynamics ambience premaster
Analoges Mastering - Equalizer Lipinski Sound, RND 551 Inductor EQ, TK Audio:TK -Lizer 2 Stereo Mastering EQ,
VCA Stereo Buss Compressor, Manley Elop + Optical-Tube-Compressor/Limiter (Dual/Stereo)
Digitales Mastering - Verwendung findet eine Auswahl hochwertiger state of the art plugins von Flux::, FabFilter,
Brainworx, Waves, iZotope u.a.
DAW
Cubase Pro - 44,1 - 96 KHz, 24 Bit, 32 Bit
Converters / Audio Interfaces
RME - 24 Bit / 192 KHz
Motu 8 pre-es - 24 Bit / 192 KHz
Mytek ADC und DAC - 24 Bit / 120 dB dynamic range
Control Room / Monitoring
Focal Twin 6 BE / SPL Volume2 (120 dB) - Nearfield / Midfield
Neumann KH 80 / SPL Volume2 (120 dB) - Nearfield
Headphones > Beyerdynamic DT 1990 Pro / Beyerdynamic DT 880 Pro
Focal Twin 6 BE
- Compressors
- Equalizers
- Preamps
- Plugins
audio (mastering sessions)
1 - The Innervault 2014 (Pop)
2 - Between Blue Band (Rock) **
3 - El Briño - David Riaño-Molina 2012 (Jazz)*
4 - Hope - Bolzmusic 2023 (Lounge/Chillout)
team
Julian Külpmann [drums, programming - mastering - recording - producing]
Horst Külpmann [g, b, voc - recording - mixing – mastering - producing]
________________
* mixed by Kurt Rosenwinkel
** drumrecording & mastering