audiomastering fading leveling sounddesign dynamics ambience premaster
Analoges Mastering - Mytek ADC/DAC (-120 dB), Motu (-125 dB DA), Equalizer Lipinski Sound, RND 551 EQ,
TK Audio:TK -Lizer 2 Stereo Mastering EQ, VCA Stereo Buss Compressor,
Manley Elop + Optical-Tube-Compressor/Limiter (Dual/Stereo)
Digitales Mastering - Verwendung findet eine Auswahl hochwertiger state of the art plugins von Flux::, FabFilter,
Brainworx, Waves, iZotope u.a.
DAW
Cubase Pro 13 - 44,1 - 96 KHz, 24 Bit, 32 Bit
Converters / Audio Interface
Mytek ADC und DAC / 120 dB dynamic range
Motu / ESS Sabre32 Ultra / DA -125 dB
Control Room / Monitoring
Focal Twin 6 BE > SPL Volume2 #1 (120 dB) - Nearfield / Midfield
Neumann KH 80 > SPL Volume2 #2 (120 dB) - Nearfield
Headphones > Beyerdynamic DT 1990 Pro / Beyerdynamic DT 880 Pro
Focal Twin 6 BE
- Compressors
- Equalizers
- Preamps
- Plugins
audio (mastering sessions)
1 - The Innervault 2014 (Pop)
2 - Between Blue Band (Rock) **
3 - El Briño - David Riaño-Molina 2012 (Jazz)*
4 - Hope - Bolzmusic 2023 (Lounge/Chillout)
team
Julian Külpmann [drums, programming - mastering - recording - producing]
Horst Külpmann [g, b, voc - recording - mixing – mastering - producing]
________________
* mixed by Kurt Rosenwinkel
** drumrecording & mastering